Follow all specific content restrictions.No off-topic or low-effort content or comments.No personal attacks, witch hunts, bigotry, or inflammatory language.No content primarily for humor or entertainment.Questions likely to generate discussion.Want to schedule an AMA with us? Read our guidelines for more information! To see previous AMAs, click here. New to reddit? Click here! Subreddit Calendar Submissions should be for the purpose of informing or initiating a discussion, not just with the goal of entertaining viewers.įor examples of quality discussion posts we'd like to see in our subreddit, please review this page.įor an in-depth explanation of our rules, please review our rules page. The goal of /r/Games is to provide a place for informative and interesting gaming content and discussions. If you're looking for 'lighter' gaming-related entertainment, try /r/gaming! Please look over our rules and FAQ before posting. CALL ME IF YOU GET LOST, though, is a chance to see if they can recognize rap greatness once it has kicked their door in./r/Games is for informative and interesting gaming content and discussions. Giving the Grammy the benefit of the doubt, maybe they wanted to reward all the great rapping he’d done until that point. “WILSHIRE” is potentially best described as an epic poem. And then there’s “RUNITUP,” which features a crunk-style background chant, and “LEMONHEAD,” which has the energy of Trap or Die-era Jeezy. The vibes across the album are a disparate combination of sounds Tyler enjoys (and can make)-boom-bap revival (“CORSO,” “LUMBERJACK”), ’90s R&B (“WUSYANAME”), gentle soul samples as a backdrop for vivid lyricism in the Griselda mold (“SIR BAUDELAIRE,” “HOT WIND BLOWS”), and lovers rock (“I THOUGHT YOU WANTED TO DANCE”). Tyler made an aesthetic choice to frame CALL ME IF YOU GET LOST with interjections of shit-talking from DJ Drama, founder of one of 2000s rap’s most storied institutions, the Gangsta Grillz mixtape franchise. The focus here is very clearly hip-hop from the outset.

Tyler superfans will remember that the MC was notoriously peeved at his categoric inclusion-and eventual victory-in the 2020 Grammys’ Best Rap Album category for his pop-oriented IGOR. But in this case, an exceptionally great one. But across CALL ME IF YOU GET LOST, the man once known as Wolf Haley is just a guy who likes to rock ice and collect stamps on his passport, who might whisper into your significant other’s ear while you’re in the restroom. The Los Angeles-hailing MC, and onetime nucleus of the culture-shifting Odd Future collective, made a name for himself as a preternaturally talented MC whose impeccable taste in streetwear and calls to “kill people, burn shit, fuck school” perfectly encapsulated the angst of his generation. There’s a handful of eyebrow-raising verses across Tyler, The Creator’s CALL ME IF YOU GET LOST-particularly those from 42 Dugg, Lil Uzi Vert, YoungBoy Never Broke Again, Pharrell, and Lil Wayne-but none of the aforementioned are as surprising as the ones Tyler delivers himself.

Call me if you get lost metacritic